Posts Tagged ‘MFA’

Reaching Objectives and Milestones

October 1st, 2011

It’s important to set reachable goals and create milestones.   It is also important to practice everyday, not as if it were a regular job, but because it is a regular job.  The discipline of practice (and of perfect practice according to Tharp) is crucial to creative development and the creative process.  Working toward goals and objectives is a motivation for practice when self-motivation gets low.

I wanted to get my MFA for many reasons.  One of the milestone along the path to completion was to get back to the classroom.  I really want to teach photography and business skills to artists.  I already have my MBA, from the University of Texas at Austin, and getting my MFA would allow me to do what I’m good at, do what I want to do, and develop into other areas I have yet to deeply explore.  Once I complete my MFA, I will be a full dual-degreed MFA/MBA.   That give me a competitive advantage in the marketplace.

It is important to get into the classroom before I complete my MFA.  While I have 4+ years of university teaching experience, it is experience in business areas.  In order for me to be as successful as possible in getting a job at a small arts or liberal arts college after my MFA graduation I need to have some experience in teaching art.

After many months, if not years, I have landed a position as an adjunct lecturer at the Art Institute of Austin.  I am teaching both business courses as well as classes in various photographic subjects.  Right now it is only 1-2 classes per term.

The message here is we can be successful if we are driven to success, create realistic goals, and work hard to reach them.  The time I’ve spent so far at AAU is starting to return on my investment.


Answering THE question

June 14th, 2010
Answering Questions

Answering Questions


I’ve got lots to write about the next few days. But, I just got this email from a gal named Stacy and wanted to respond.  This is the ultimate question…and the answer is rather complex.

Read what Stacey wrote me and then my response.

Hi David!

My name is Stacey and I came across your blog about going for your MFA with AAU. I am currently looking at AAU for the same program (i live in san francisco, but am open to in person or online program) and your blog is one of the first positive (and informative/not only talking about a real estate scam) opinions i have come across on the web. of course, most of the posting i read are done by younger students or undergraduates that have certain expectations paying for a class and receiving a good grade because of it, etc and have not had a professional career before attending the school.

My question to you is – can you give me your honest opinion (as you are a professional) of the program and the professors? Has it, so far, been worth your time and money? How do you think they stack up in comparison to programs like RISD or SAIC? How is the online course program? I don’t have my own darkroom, etc…Just my Nikon d60 and 35mm f 2.8/35mm Nikkor (in addition to my macbook and adobe suite/capture one of course). what other types of equipment was necessary to have for the online courses?

The graduate admissions counselor is very nice, albeit a bit vague on certain details and the financial aid counselor i spoke to was not helpful, informative and just a bit smarmy, so i’m doing that research on my own.

I know you are extremely busy, but any thoughts about this program would be really helpful and most appreciated.

Thanks!!


There is a lot to say here. Some subjects deserve and will get further treatment in upcoming posts.  Let me try a short answer here and let me add a few things for thought.

I’ve just finished up my second semester.  I took 3 classes.  Two were outstanding classes taught by outstanding people that want to teach and have students do well.  One class was so poorly taught (calling it taught does disservice to the word) that I was highly motivated to do intentionally mediocre work, and I had a dialog with the director’s of the program concerning the course. (Yes I will write about this soon).

So Stacey, and everyone else, let me address your points.

There is little information about the program available outside the program.  There are those (often whiny) pages on Yelp.  (see my notes on AAU Reviews). I’ve created this blog because I wanted to share my experiences and feelings while working on my MFA-Photography to help fill the void of personal perspectives.

People complain more than they praise.  If I can recall something from my MBA course work in marketing is that complaints will often outnumber praise from 1:10 to 1:500 and that negative opinions will more dramatically impact a reference than a positive opinion.  Think about it, when was the last time you told someone of a good customer experience and rather found yourself telling a tale about some schmuck or awful company or service or shoddy product?   So there is a lot of negative feedback about AAU and a lot of it comes from whiny undergraduate students.   I consider most of that just noise. Some students have some romantic notion about being an artist and feel that getting a BFA or MFA is the ticket to validating that.  That’s a load of crap.  The program is expensive for better or worse. While there is a lot to learn and I mostly greatly enjoy what I’m learning having an BFA or MFA does not make you an artist.  It means you have taken a program in ART and have passed the requirements spelled out by the program.  What exactly is a professional career as an artists anyway?  It’s likely different for everyone.

Two additional issues here.  One is related to the above  – There is a gap between the perceptions of an MFA and the expectations of the degree.  I’ll argue that most students expect more from the degree than the actual perception after they are in a program and this likely extends after one gets the degree.

The other issue here is that AAU is a for-profit educational institution. Basically, money and other resources are inputs and educated students and profits are the outputs.  I haven’t done the research to see what percentage of tuition comes from government loans (there is a limit).  For-profit education firms can be mills that mine heavily for student loans.  Let’s just say I have a little experience in seeing a couple companies do this.  One did a good job and was really well-balanced between admitting qualified students and taking their student loan money while another company (where sales quotas) drove lots of unqualified people and a few qualified folks into an educational hamster-wheel.

So, AAU wants your money and wants to educate you.  It is up to you to determine if you are qualified to COMPLETE a program – anyone can start a program.  AAU admits 100% of applicants that meet the basic requirements. A portfolio review is part of the process, but I have seen such poor work by some students that I have to really question the validity of the portfolio review as a culling method in the admission process.  However, being able to put together a portfolio is a task unto itself and does show some level of motivation from the prospective student.

These points should cover both MFAs and BFAs.

Strictly for MFA-Photography, the last time I checked, AAU appears to have the monopoly on online MFA-Photography programs.  I’ll leave that for you think about.

Stacey, you mention paying for grades.  My experience , so far, is that is not done.  You may get a C (or worse) for doing substandard work but getting an A is not an easy thing to do and I’ve found those courses that have solid educational rigor and good instructors make getting an ‘A’ a demanding task. (4 of my 5 classes fit this description!)

Let me try to answer the meaty part.  I am professional photographer with a lot of experience in certain areas of the field and with well-grounded personal expectations of what and why I am getting my MFA.  In 1994 I completed my first Master’s program (MBA) and I taught at The University of Texas at Austin.  This gives me an unusual perspective as a student.    With the exception of one class in the Spring ’10 term I have found my classes to be challenging and splendid opportunities to explore, play, and get out of my comfort zone in photography.  I am driven to excel and I have to do my best work.  In the 4 classes that have challenged me I have received all A grades.  In the poor class, here is an excerpt of what I sent in during the course evaluation near the end of the semester:

What was the best thing about this instructor? Nothing.  The person (as it is inappropriate to call him an instructor nor professor) should not be allowed to teach until he has taken some teaching classes.  he is not a teacher.  He is babysitting 8 students and judging them instead of getting them to learn.

I got more from a $45 Scott Kelby lighting CD than I did from the instructor.

You ask “Did the instructor provide feedback…” To which I answer the instructor did not provide quality feedback.  His judgments (reviews) of assignments are highly inconsistent and do not foster any appreciable learning.

You ask “Was the instructor approachable for questions and assistance in class?” To which I answer do I pull up to a traffic signal and wait for it turn green?  Does he answer questions?  Sure, but does he answer specific questions about student work.  No.

Does he foster a learning environment? No.

Let’s talk about RISD and SAIC and lots of the other art schools around.   Would I love to get into RISD.  Yup!  Art Institute?  You bet! Brooks Institute?  Sure!  Art Studio at UT-Austin?  Why not!

Could I really leave Austin and go attend class in-person at some notable art school?  Realistically, no.  Can I give up the contacts and the community I continue to build here in Austin to go study full-time in another market? Nope, it doesn’t work for me right now.

Getting my MFA is a deeply personal decision with some future real world consequences.  I’ve been shooting for 40 years, first published 30 years ago and I have a strong desire to do and grow my art, my business, and to teach both art and business to artists.  This is the right thing to do…for me.

If I were you, I’d be investigating where else you might want to attend.  Look at lots of programs at lots of institutions.  You have Brooks down the road in Santa Barbara.  AFI down in LA, and other alternatives in the Bay Area.    If I were you, I’d also need to understand my drive and desire to succeed, and my ability to move, work, family, and all the other issues that play into the complex decision of where to go.

Does that help?

The admissions folks are nice but they are recruiters.  I’ll bet they have certain numbers to meet as well.

Don’t do financial aid.  Pay for it yourself.  It will mean more to you as you take a class and you will understand the value of your work to pay for the additional education.  Do this for at least a year.  By then you will have decided if this is the right thing for you to do.  If you are going to complete a program (anywhere) then thinking about financial aid seems reasonable. for the last year or so.  If you decide it is not for you then you owe nothing going forward and can more favorably look back at that experience.

To wrap up this post:  At this time I’ll I am very happy with my overall experiences at AAU in my goal to obtain my MFA in Photography.

AAU Reviews

January 27th, 2010
Reviewing

Reviewing

There is little data on MFA (Graduate) dropout and completion numbers, however there is undergrad data.  Since you need an undergrad degree to apply for the MFA program I will let you interpret the data and opinions – I’ll add a little :-)


There are some interesting numbers over at the US Dept. of Education’s Institute of Education Sciences.  These are bean counters where most of the beans are first time undergrad students.  There isn’s much graduate data but it does provide some insight.  Without other data available you can assume that the graduate programs are probably similar within a few points.

http://www.nces.ed.gov/collegenavigator/?q=ACADEMY+OF+ART+UNIVERSITY

That written, I’ll also write that it could be completely different.  The undergraduate population is diverse and the graduate student population is even more diverse. I had statistics back in MBA school and my head and my gut tell me the numbers might not similar between these groups.  If I get some solid graduate data I’ll post it here and republish the post.

There isn’t a lot of data on AAU when compared to other institutions.

Some input from students here:

Some basic info here:

Non-productive searches as of 19-January-2010:




Jobs for my MFA

January 5th, 2010
Teaching = performance + a bit of knowledge

Teaching = performance + a bit of knowledge

When reading about the MFA experience there is not a lot of prominence placed on the careers that are created from this terminal degree.  The reason for this seems to be that there are not lot a of jobs for MFA degreed folks and the competition is really tough.

I don’t know what the job market for MBA’s are right now but I assume it’s pretty dismal and there are a lot of unemployed and underemployed MBAs out there.

Back in 1992 when I started my MBA, I strongly recall the career services people telling us that we needed to start our job search RIGHT NOW!  Huh?  I hadn’t even been to the first day of classes.

They (Jamie and Sharon from MBA career services) were absolutely right.  They also kept hammering this into us throughout the MBA experience.

So far, I get nada from AAU.

This isn’t a bash on AAU (in fact, I would consider them a potential future employer). This is probably true across most MFA programs.  Now AAU offers company visits on-campus as any good career services group and AAU offers some decent online support too.

It’s not up to AAU to get me a job, it is up to me to get a job.  AAU needs to provide me with the best online MFA experience posssible, I get to get A’s and take advantage of the instructional opportunities.

From lots of reading I’ve gathered that most MFA candidates don’t enter a program to teach.  In my 2 couses at AAU I’ve encountered 2 students that were already teaching in K-12 and were adding the degree – likely for career development.

I create a page http://weaver.net/MFA/jobs-careers/ where I’ll puts links to posts and pages that I find useful.  Keep in mind I am an MFA-photography candidate, yet lots of what I read isn’t focused on photogs.

Why is concept so important?

October 11th, 2009

4__Weaver_Line

I’m really struggling with the  idea of concept in art.   This struggle is not in understanding concept, rather it is trying to understand why it seems so freaking important.   That I understand something does not mean I agree with it.

I understand style and understand the subconscious things behind it too.  I have a style and I can consciously change it as needed.  I also refine and develop my style in unconscious ways.  No problem with style. It’s the individuality of the person coming through in the work.

I find that the need to have a defined concept when shooting a body of work troubles me as being to restrictive.   The trouble with the arts here is that they want to ground you in concept and unification of a body of work when working towards a class final presentation or even my MFA dissertation final presentation.

Why is a solid concept and fully recognized body of work with a solid and well communicated concept so important to art?

Do I just need to play along, create and execute solid concepts to be a sucessful artist that uses photography as my chosen medium?

[UPDATE 10/16/09 My instructor Marc Ullom responds...quite well I think]

Hi David

There isn’t really a simple answer to your question. However, the answer is there, and it is made up of a variety of facets that help create the entire answer in a more holistic way. You do not have to agree with the answer I’m giving you, and therein lies an issue with art in general. It’s an opinion-or a way of looking at something-that we don’t have to agree with. This is your first class at the Academy-and I remember mine and the way I felt at the time (It was Nature of Photography for me) and I hated the idea of constraining all of my image making by all of the terms I was learning. So when I say I hear you, I really do. Let me say that it is a infinitely rewarding experience that is also infinitely frustrating and uncomfortable too. All of the photographers that you are being exposed to did not have Concept imposed upon their work-and here is the important part-their work is the most pure expression of who they are as visual creatives-it is the essence of their visual constructs and motivation for creating work. Their conceptual foundation was not externally enforced upon them, it informed their photography through decades of seeing and revising, and perfecting their craft, and their work was changed by all of that experiential fodder. So, are you frustrated yet with my rambling answer?

Here you are, learning all this stuff-this ACADEMIC stuff. That is one reason why it feels artificial to you now. Most of the artists we have looked at did not earn MFA degrees-but we are here, in the 21st century, approaching the idea of mastering a medium in a formal setting, rather than through decades of trial and error, and intense focus. No one would say that Avedon was not quite up to par because he did not earn an MFA, right? He was undoubtedly a master of the highest degree, and his worldview informed his work-he knew what he was about and it was always evolving. You are here in a 3 year program to fast track your identity as a visual artist. It is a period of rapid growth-especially as you dig deep into the reasons for your passion in photography and to consciously explore the reasons why you create with the camera. If you want to teach, the degree is pretty much necessary, but academia is not for everyone-and I agree that there is some stuff that is not essential to making good pictures, but for me, in my experience, the holistic approach that the Academy takes is really quite good, a balance of craft, technique, personal vision, and the ability to communicate in a profound way through your work is hard to find in a graduate program. Honestly, so much of graduate school is more conceptual art, rather than art with concept as a foundation-and there is a huge difference between the two. So I have rambled on enough-feel free to keep posting, as I know exactly where you are coming from. You have a good technical foundation with the craft of photography, and you seem engaged, so figuring out who you are creatively, not just stylistically is really an important thing. It’s a matter of developing true photographic VISION, rather than just photographic STYLE….

Let me know if this helped at all.

Starting my MFA

August 30th, 2009

Beauty_Bar_Scrabble_small

Hi there! This blog is my documentation of my personal experiences in my MFA journey. I’m enrolled with the Academy of Arts University in San Francisco to get my MFA in Photography. The opinions here are my own, they are (by nature) subjective. I will strive to keep my comments positive, however, my life’s experience with education and the field of photography may produce comments that some may not welcome. So be it.

When you read my work, pictures and blogs, you can know that I am not paid by anyone to blog here. It’s just little ol’ me rambling on about things I experience as part of my MFA process.

I do have a blog that is focused (pun intended) on my photographic work and my experiences as a professional photographer living in Austin, Texas. That blog is here: http://www.weaver.net/blog/

Cheers!

David