Posts Tagged ‘Film’

PH 645: Experimental Contemporary Photography Reviewed

January 19th, 2011

These are photos from a class assignment.  They are double exposures shot on film.

I had David Arnold for this class.  I also had him for my History of Photography class which was a major reason I decided to take this class.  The professors really do make the classes and one of the best at AAU is David Arnold.

This class has so much different work to do that I found myself intentionally not doing art in exchange for learning about a new process.  Once I had a reasonable grasp on a particular experimental concept I would then find a way to incorporate that into my artwork.

There is a lot to learn in this class and it covers a lot of ground.  I started with cyanotype photograms and ended with extensive digital manipulations for my final project.  There is the use of film, alternative printing techniques and even some traditional darkroom work.  The other experimental class does substantially more darkroom work and while there is some overlap between the courses each course differs enough that you might want to consider taking both of them if you were really inspired by experimental work.

Without boasting, I’m a very experienced photographer and I’ve been involved in most aspects of field, so I am generally not as challenged with some assignments.  This is not true of this class.  I found myself playing a lot and making lots and lots of mistakes.  I also had a couple failures, but you have to in order to get better at the process and work.

This course is offered regularly, but it is often canceled due to lack of enrollment.   I can highly recommend this class and the instructor.  It is not easy, but why should it be?

I did get an A in it, but it wasn’t easy at all.  There is a lot of hard work in this class.

Wow! Lots to buy for Experimental Photography (updated)

January 19th, 2011


Cyanotype

A cyanotype photogram made in my experimental class


Wow!  There is a lot to buy for this course.  I got most of my stuff from Freestyle and from Jerry’s Artarama albeit some of the items were difficult to find on the Jerry’s website.

UPDATE: You do not have to buy all this stuff in advance.  I have developer that is unused as well as a toning kit that is new in the box. If you live far away and shipping is going to take more than 2 weeks then you might need to over-purchase items.  My professor in this class offered a timeline for materials needed in the first or second week of the class.  I would have saved about 50 bucks had I know this before hand.


I’ll call the InkAid folks tomorrow and order the starter kit that is listed below.

Per the course site:

Required Items

Utrecht
Item # Item Qty
36857 Strathmore Watercolor Pad 130lb 11×15 1
32939 Turpenoid – 4oz Bottle 1
83144 Utrecht Gaffers Tape 2in x 30yds – Black 1
41898 Foam Brush 4in 1
41895 Foam Brush 2in 1
35148 X-Acto Heavy Duty Retractable Utility Knife 1
52126 Van Gogh Oil Pastels Set of 12 1
27304 Winsor & Newton Winton Oil Painting Set 1
81085 Dahle Comfort Grip 8″ Scissors 1


Digital Print Supplies

Photo & Video Store
Item # Item Qty
InkAid sampler 1


Office Supply Store
Item # Item Qty
Printing Paper 1


Additional Camera Supplies

Photo & Video Store
Item # Item Qty
T-mount and/or extra body caps for DSLR and/or 35mm SLR 1


Hardware Store
Item # Item Qty

Course Learning Outcomes


As a result of successfully completing this course, students…

Will be able to:

  • Evaluate and apply experimental techniques to heighten their photographic concepts and finished results.
  • Experiment with the camera, darkroom, photographic context, and light.
  • Produce a series of 6 to 10 experimental photographs that have a sense of continuity. (The theme, style, and content should be based upon the student’s individual interest and imagination).
  • Write a paper and make a presentation to support their project.
  • Produce a written analysis of still life photographs that demonstrates a clear understanding of the photograph’s place within the continuum of art history.

Will be familiar with:

  • History of and current trends in experimental photography.
  • Commercial possibilities for experimental photography, grants, and galleries.